A post by Cecily Whiteley.
It is standardly thought that imaginative experiences are not only ontologically homogeneous, but also phenomenally so. When asked to imagine the Notre-Dame Cathedral, construct visually elaborate daydreams or picture the face of a loved one, we naturally assume that in such cases - episodes of sensory imagining - each of us undergos experiences of roughly the same sort: conscious experiences involving mental imagery. Recent empirical findings however, suggest that this ordinary assumption is mistaken. In a number of recent studies Adam Zeman and colleagues at the University of Exeter document the main neurobehavioural features of a new mental imagery generation disorder known as aphantasia - a condition characterised by the total (or otherwise severely reduced) incapacity to produce visual forms of mental imagery. There are, it turns out, a small percentage of the population - current estimations fall around the 2% benchmark - who lack a mind’s eye.
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A Post by Christopher Badura.
What is the logic of imagination? Which, if any, inferences involving the concept of imagination are valid?[1] Answering this contributes to understanding how and what we can learn from imagination, and also how imagination is constrained. In what follows, imaginative agents of interest are subjects that can be reasonably described as being capable of performing at least one step deductive inferences like conjunction introduction/elimination, modus ponens, and disjunction introduction.[2]
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A post by Jonathan Drake and Eric Peterson.
What is the relationship between imagining some thing and being motivated to act by that thing? More precisely: what is the relationship between imagining that P and acting for the reason that P? In this exploratory post, we sketch out some of the terrain, eliciting some crucial questions that need to be settled in order to better understand the relationship between imagination and rational motivation. We make a tentative initial argument for the view that there are no imaginary motivating reasons.
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A Post by Nenad Miscevic.
How can a theory of imagination help us understand thought experiments (“TEs”, for short)? In particular, can it help us answer the question of where they belong and what is their wider genus? Where should we locate TEs on a wider map of related activities? What are their closest relatives? Finding an answer is an important task that has not been undertaken seriously until now (but see on the Junkyard the posts by Eric Peterson and Mike Stuart, and Maks Del Mar).
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A post by Madeleine Hyde.
Our imagination is useful in a variety of ways - including ways which engage with our beliefs, desires and knowledge, and ways that the philosophical literature sometimes overlooks. Our focus has often been on how the imagination can aid modal reasoning and scientific discovery – both important, but limited to technical thinking and expertise rather than everyday knowledge. Here, I want to highlight some more familiar ways that imagining can impact our beliefs and knowledge. I'll start by telling a story of why our attention has often been elsewhere until now.
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A post by Matthew MacKisack.
In this post I am going to discuss the procedural narratives of visual artists with aphantasia, ‘a condition of reduced or absent voluntary imagery’ (Zeman et al 2015, p1). With the aim of finding out how aphantasia informs the individual’s creative process, I will focus on a claim that appears several times in the narratives: that the pictures the artists make stand in for or somehow supplant the mental imagery they lack. I will explore what could be meant by this, suggest an answer, then conclude by looking at how the answer might square with aphantasia being specifically a deficit of voluntary imagery. The post is a sketch for a more comprehensive qualitative study - comments and suggestions are very welcome.
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A post by Amy Kind
Today we celebrate The Junkyard’s second birthday. A year ago, I reported some stats on The Junkyard’s first year. At that time, there had been about 9K unique visitors to the blog. We’ve had similar traffic in year two. As of the writing of this post, there have been over 18K unique visitors to the blog. These visitors have come from over 50 different countries. Though the vast majority of our visitors have come from the United States and the UK, we also seem to receive a fair amount of traffic from (in order): Canada, Israel, Germany, Japan, Australia, and Italy.
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A post by Andrea Sauchelli.
Can you really imagine being someone else—mind you, not just suppose that you are someone else, but imagine being an altogether different person? In what sense and to what degree can we actually achieve this task? What are the theoretical consequences of episodes of imagining being someone else for the contemporary debate on personal identity?
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A post by Sridhar Mahadevan.
We discuss a fundamental challenge for artificial intelligence (AI) enabled systems: can machines imagine? According to the Stanford Encyclopedia of Philosophy, “to imagine is to represent without aiming at things as they actually, presently, and subjectively are… to represent possibilities other than the actual, to represent times other than the present, and to represent perspectives other than one’s own.”[1] Art is perhaps the paradigmatic example of human imagination. Figure 1 shows an untitled painting by Jean-Michel Basquiat that sold at a recent auction in New York City for over $100 million.
The scope of imagination in human society goes far beyond art: numerous examples can be given to illustrate that human achievements in the sciences, technology, literature, sculpture, poetry, religion, and beyond, depend fundamentally on our ability to imagine. The importance of imagination to humans naturally raises the question of whether intelligent machines can be endowed with similar abilities.
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A post by Razvan Sofroni.
It has been only a few years since the idea that imagination might be a source of non-modal knowledge started to be taken seriously again. Up until now, however, the focus has been almost exclusively on non-normative knowledge (Kind 2016, Kind and Kung 2016, McPherson and Dorsch 2018). In this post, I’d like to explore the idea that imagination might be a source of moral knowledge and address possible reasons to resist its appeal.
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This week at The Junkyard, we're hosting a symposium on Margherita Arcangeli’s recent book: Supposition and the Imaginative Realm (Routledge, 2018). See here for an introduction from Margherita. Commentaries and replies appear Tuesday through Thursday.
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Commentary from Kathleen Stock.
I’m delighted to contribute to this symposium. The book is a fantastic addition to the literature on the nature of supposition. My aim in this piece is to outline what I take to be Margherita’s view, and contrast it informatively with my own.
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This week at The Junkyard, we're hosting a symposium on Margherita Arcangeli’s recent book: Supposition and the Imaginative Realm (Routledge, 2018). See here for an introduction from Margherita. Commentaries and replies appear Tuesday through Thursday.
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Commentary from Amy Kind.
It’s a pleasure to be taking part in this symposium on Margherita Arcangeli’s Supposition and the Imaginative Realm, a book that is sure to generate much interest and discussion. As Margherita indicated in her opening post [insert link] for the symposium, she ultimately defends a view according to which supposition is a sui generis type of imagination, in particular, it is acceptance-like imagination. Though such a view had previously been hinted at by authors such as Kevin Mulligan, as far as I know Margherita is the first to develop this kind of view in detail.
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This week at The Junkyard, we're hosting a symposium on Margherita Arcangeli’s recent book: Supposition and the Imaginative Realm (Routledge, 2018). See here for an introduction from Margherita. Commentaries and replies appear Tuesday through Thursday.
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Commentary from Steve Humbert-Droz.
In her excellent monograph, Margherita Arcangeli argues in favour of a positive account of supposition that aims at situating this phenomenon within the imaginative domain. Embracing a simulationist approach of imagination, she debunks faulty desiderata on imagination used against the imaginative account of supposition (Part. I) and argues that supposition is a re-creative state of acceptance (Part. II). She also makes a valuable contribution to the literature by showing against a widespread view that supposition is more demanding than merely entertaining a content (§ 5.2).
Supposition and the Imaginative Realm is, in my opinion, an important book and the best existing defense of the imaginative account of supposition.
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This week at The Junkyard, we're hosting a symposium on Margherita Arcangeli’s recent book: Supposition and the Imaginative Realm (Routledge, 2018). Today we begin with an introduction from Margherita. Commentaries and replies will appear Tuesday through Thursday.
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The fundamental question that drives my inquiry is: What is supposition? This is a crucial and pressing question, if we consider that while supposition has been frequently invoked as a key notion in many philosophical debates in different domains (e.g., aesthetics, logic, phenomenology, philosophy of language, philosophy of mind, philosophy of science), we lack a consensual characterisation of supposition. There is a tendency to contrast supposition with imagination, but most of the time this is not premised on a detailed analysis. It may well be, indeed, that supposition is rather a type of imagination. The book offers an extensive analysis of supposition that does justice to its place in the architecture of the mind. My main goal is to show that there are good arguments in favour of the view that supposition is a type of imagination, but that these very arguments also suggest that supposition is a specific type of imagination, distinct from other varieties of imagination recognised by the literature.
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A post by Uku Tooming.
It is intuitive to think that grasping the aesthetic value of something – be it an artefact or a natural object – requires first-hand experience. For instance, it seems problematic to say: “That painting is beautiful, although I have not seen it”. This idea has found its formulation in the so-called Acquaintance Principle (AP). Take an influential statement of the principle by Richard Wollheim:
judgements of aesthetic value, unlike judgements of moral knowledge, must be based on first-hand experience of their objects and are not, except within very narrow limits, transmissible from one person to another. (Wollheim 1980, 233)
Both the content and status of AP are under debate. It may be treated as an epistemic principle concerning aesthetic knowledge or justification, or a non-epistemic principle concerning the acceptable way of making aesthetic judgments. In the context of this blog post, I try to avoid these intricacies and focus on the general idea that first-hand experience of an object is necessary for aesthetic appreciation.
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A post by Sophie Grace Chappell.
Part 3 of 3
In my first post I introduced the notion of imaginative identification, and said how crucial I think it is for ethics; but I also suggested that most modern moral philosophy has not made good sense of imaginative identification. I see six reasons for this failure. Last time I discussed the first three of these reasons, which come from the nature of imaginative identification. In this third and final post I’ll look at the three reasons for the failure that come from the nature of moral philosophy.
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A post by Sophie Grace Chappell.
Part 2 of 3
In my first post I introduced the notion of imaginative identification, and said how crucial I think it is for ethics. I also suggested, by reference to examples, that for the most part, modern moral philosophy has not made good sense of imaginative identification. That raises the question why not.
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A post by Sophie Grace Chappell.
Part 1 of 3
One of the main concerns of ethics, as ordinary good people do it, is the activity that we may call imaginative identification: understanding, getting a feel for, learning vicariously and fictively to inhabit not only my own point of view, but other people’s points of view too. “You don’t know what it was like, you weren’t there”, we say, and “It’s easy to say that when you’re not in my shoes”, and “Try and see it from her point of view”, and “You’re right from your side. I’m right from mine”, and “How would you like it if I did that to you?”. I would say (though other commentators have, implicitly, disagreed) that the Golden Rule propounded by Jesus in Matthew 7.12 (and elsewhere by Confucius, Rabbi Hillel, and many other moral teachers) is about the same thing: about imagining what it would be like to be someone else, and thinking what I would want and not want to happen to me if I were that other person.
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A post by Jessica Black.
Imaginative resistance (IR) has been addressed various times in this forum, namely by Kengo Miyazono, Eric Peterson, Kathleen Stock, Emine Hande Tuna, and most recently by Hanna Kim. With the exception of Kim’s explanation of her recent work with Markus Kneer and Mike Stuart, the treatments of IR have been exclusively philosophical. Some pose questions that have been—to varying degrees—tested empirically in our lab, although much of our results remain unpublished. In this post I will share some of our more intriguing findings, some of which attempt to probe the phenomenon of IR directly, and others which are relatively independent of philosophical debates. I hope these will raise more questions about the causes and consequences of IR, especially as it appears in cases outside of the more traditional philosophical thought experiments.
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A post by John F. DeCarlo.
The famed Shakespearean actor, Edmund Kean, supposedly declared on his death bed: “dying is easy; comedy is hard.” Might the same be said about ‘doing’ science? For while Newtonian equations are still used for their ease and quickness, they are conditionally limited, and fundamentally, misleading. Accordingly, I would like to address the Quine/Duhem Paradox and offer a critical evaluation of the Bayesian response of abiding by self-credences and offer an alternative procedural methodology.
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