Image credit: Imagination by Sarah Durham, via Flickr CC BY 2.0
A post by Amy Kind
There has been a huge amount of work on imagination published recently. There’s no way we could cover it all in this roundup, so we have limited ourselves to ten articles that have recently been published – articles that range across a variety of topics relating to imagination: pretense, empathy, continuism about memory and imagination, the i-desire debate, and much more!
Olivia Bailey. Empathy with Vicious Perspectives? A Puzzle About the Moral Limits of Empathetic Imagination. Synthese.
Are there limits to what it is morally okay to imagine? More particularly, is imaginatively inhabiting morally suspect perspectives something that is off-limits for truly virtuous people? In this paper, I investigate the surprisingly fraught relation between virtue and a familiar form of imaginative perspective taking I call empathy. I draw out a puzzle about the relation between empathy and virtuousness. First, I present an argument to the effect that empathy with vicious attitudes is not, in fact, something that the fully virtuous person can indulge in. At least one prominent way of thinking about the psychology of the virtuous person excludes the possibility that the virtuous could emotionally apprehend the world in a less than virtuous way, and empathizing with vicious outlooks does seem to run afoul of that restriction. Then, I develop an argument that runs in the contrary direction: virtue in fact requires empathy with vicious outlooks, at least in some situations. There is reason to think that a crucial part of being virtuous is ministering effectively to others’ needs, and there is also reason to think that other people may need to be empathized with, even if their emotional outlooks are at least minorly vicious. Finally, I outline two different solutions to this puzzle. Both solutions hold some promise, but they also bring new challenges in their train.
Alon Chasid. A Puzzle about Imagining Believing. Review of Philosophy and Psychology.
Suppose you’re imagining that it’s raining hard. You then proceed to imagine, as part of the same imaginative project, that you believe that it isn’t raining. Such an imaginative project is possible if the two imaginings arise in succession. But what about simultaneously imagining that it’s raining and that you believe that it isn’t raining? I will argue that, under certain conditions, such an imagining is impossible. After discussing these conditions, I will suggest an explanation of this impossibility. Elaborating on the view outlined in Walton (1990), I will argue that the impossibility follows from the fact that imaginings ‘mimic’ beliefs in aiming at the fictionally true, just as beliefs aim at the true.
Reza Hadisi. Creative Imagining as Practical Knowing. Res Philosophica.
I argue that ‘practical knowledge’ can be understood as constituted by a kind of imagining. In particular, it is the knowledge of what I am doing when that knowledge is represented via extramental imagination. Two interesting results follow. First, on this account, we can do justice both to the cognitive character and the practical character of practical knowledge. And second, we can identify a condition under which imagination becomes factive, and thus a source of objective evidence. I develop this view by extracting an account of self-knowledge via extramental imagination from the writings of Ibn ‘Arabi (1165-1240).
Amy Kind. Learning to Imagine. The British Journal of Aesthetics.
Underlying much current work in philosophy of imagination is the assumption that imagination is a skill. This assumption seems to entail not only that facility with imagining will vary from one person to another, but also that people can improve their own imaginative capacities and learn to be better imaginers. This paper takes up this issue. After showing why this is properly understood as a philosophical question, I discuss what it means to say that one imagining is better than another and then discuss the kinds of imagination training and techniques that might be employed in an effort to get better at imagining. The discussion of these techniques draws insight from consideration of other skills-based activities, as well as from consideration of the creation of art and our engagement with literature and poetry. Over the course of this discussion, we also gain further insight into the nature of imagination.
Peter Langland-Hassan. What Sort of Imagining Might Remembering Be? Journal of the American Philosophical Association.
This essay unites current philosophical thinking on imagination with a burgeoning debate in the philosophy of memory over whether episodic remembering is simply a kind of imagining. So far, this debate has been hampered by a lack of clarity in the notion of imagining at issue. Several options are considered and constructive imagining is identified as the relevant kind. Next, a functionalist account of episodic remembering is defended as a means to establishing two key points: first, one need not defend a factive (or causalist) view of remembering in order to hold that causal connections to past experiences are essential to how rememberings are typed; and, second, current theories that equate remembering with imagining are in fact consistent with a functionalist theory that includes causal connections in its account of what it is to remember. This suggests that remembering is not a kind of imagining and clarifies what it would take to establish the contrary.
Julia Langkau. Two Kinds of Imaginative Vividness. Canadian Journal of Philosophy.
This paper argues that we should distinguish two different kinds of imaginative vividness: vividness of mental images and vividness of imaginative experiences. Philosophy has focussed on mental images, but distinguishing more complex vivid imaginative experiences from vivid mental images can help us understand our intuitions concerning the notion as well as the explanatory power of vividness. In particular, it can help us understand the epistemic role imagination can play on the one hand and our emotional engagement with literary fiction on the other hand.
Daniel Munro. Remembering the Past and Imagining the Actual. Review of Philosophy and Psychology.
Recently, a view I refer to as “hypothetical continuism” has garnered some favour among philosophers, based largely on empirical research showing substantial neurocognitive overlaps between episodic memory and imagination. According to this view, episodically remembering past events is the same kind of cognitive process as sensorily imagining future and counterfactual events. In this paper, I first argue that hypothetical continuism is false, on the basis of substantive epistemic asymmetries between episodic memory and the relevant kinds of imagination. However, I then propose and defend an alternative form of continuism, according to which episodic memory is continuous with a capacity I call “actuality-oriented imagination.” Because of the deep epistemic affinities between episodic memory and actuality-oriented imagination, it makes sense to think of them as cognitive processes of the same kind.
Aybüke Özgün and Tom Schoonen. The Logical Development of Pretense Imagination. Erkenntnis.
We propose a logic of imagination, based on simulated belief revision, that intends to uncover the logical patterns governing the development of imagination in pretense. Our system complements the currently prominent logics of imagination in that ours in particular formalises (1) the algorithm that specifies what goes on in between receiving a certain input for an imaginative episode and what is imagined in the resulting imagination, as well as (2) the goal-orientedness of imagination, by allowing the context to determine, what we call, the overall topic of the imaginative episode. To achieve this, we employ well-developed tools and techniques from dynamic epistemic logic and belief revision theory, enriched with a topicality component which has been exploited in the recent literature. As a result, our logic models a great number of cognitive theories of pretense and imagination [cf. Currie and Ravenscroft (Recreative minds, Oxford University Press, Oxford, 2002); Nichols and Stich (Mindreading: an integrated account of pretence, self-awareness, and understanding other minds, Oxford University Press, Oxford, 2003); Byrne (The rational imagination, The MIT Press, London, 2005); Williamson (The philosophy of philosophy, Blackwell Publishing, Oxford, 2007); Langland-Hassan (Philos Stud 159:155–179, 2012, in: Kind and Kung (eds) Knowledge through imaginaion, Oxford University Press, Oxford, 2016].
Luke Roelofs. Longings in Limbo: A New Defence of I-Desires. Erkenntnis.
This paper responds to two arguments that have been offered against the positing of ‘i-desires’, imaginative counterparts of desire supposedly involved in fiction, pretence, and mindreading. The Introspection Argument asks why, if there are both i-desires and desires, the distinction is so unfamiliar and hard to draw, unlike the relatively clear distinctions between perception and mental imagery, or belief and belief-like imagining. The Accountability Argument asks how it can make sense to treat merely imaginative states as revealing of someone’s psychology, the way we do with responses to fiction. I argue that carefully considering the relationship between other states and their imaginative counterparts sheds light on how we should expect i-desires to differ from desires, and suggests that we may often be in states that are indeterminate, in limbo between the two categories. This indeterminacy explains why the distinction is often hard to draw, and why these states can be revealing about us even without (determinately) being real desires.
Nick Wiltsher. Imagination as a Process. Philosophy and Phenomenological Research.
According to recent orthodoxy, imagination is best characterised in terms of distinctive imaginative states. But this view is ill-suited to characterisation of the full range of imaginative activities—creation, fantasy, conceiving, and so on. It would be better to characterise imagination in terms of a distinctive imaginative process, with the various imaginative activities as more determinate implementations of the determinable process.